Billy Cobham comes to the west coast with his Crosswinds Project in October. I will be singing books with him after shows at the following venues:

October 3-6, Jazz Alley, Seattle

October 10, Kuumbwa, Santa Cruz

October 11-12, Blue Note, Napa

Bill is widely acknowledged as the greatest living jazz fusion drummer and he is joined on the tour by the man acclaimed as the greatest living jazz fusion trumpeter, Randy Brecker. They will be playing a nationwide tour that kicks off at the Blue Note in New York in September. I interviewed Randy for Six Days at Ronnie Scott’s: Billy Cobham on Jazz Fusion and the Act of Creation. Here’s a favorite excerpt.

GRUBER: You had been around for some years before that release, playing with the likes of Larry Coryell. Did you believe that there were artists and forms of experimentation prior that deserved equal recognition?

BRECKER: It’s funny you asked that. We were a little bit ahead of that. I’ll tell you a funny story. It goes to show you where maybe Miles was influenced himself. Dreams became kind of the house band at the Village Gate, a large club on Bleeker Street, now closed for many years. That was one of the hippest if not the hippest place to play in New York. Miles would play there, in fact I saw him in a double bill with Charles Lloyd with his great band with Jack DeJohnette and Keith Jarrett. That was an amazing double bill. Miles would come down and never come and talk to us, but you always knew when he was there, everyone saying, “Miles is here,” which spread around the audience like wildfire. You could see him sitting in the back. In the meantime, I had electrified my trumpet. We had John Abercrombie in the band who always played with a wah-wah pedal. One day he couldn’t make rehearsal and his pedal was just sitting there and we had these devices called ‘condors’ which made bubbly sounds on the horn and I plugged the wah-wah into my trumpet and it sounded just great. I got a wah-wah myself and started using it, using guitar effects and Miles would always come down. Eventually he hired Billy for Bitches Brew. When I joined Billy’s band, there was a guy named Jim Rose, who was Miles’ road manager, would come by the gig and say I was trying to sound like Miles with the wah-wah, and I explained to him the way things had developed. It became a running joke between me and Jim. He liked Billy so he would come to hear us a lot.

Years later when we were all at (Brecker brothers-owned jazz club) Seventh Avenue South, I found myself standing next to Miles. The club was really crowded. I never really met him so I stuck out my hand and said, “Hi, I’m Randy Brecker, I’m a big fan, I own the club and it’s great to meet you,” and his response was…nothing. He had his dark glasses on so it was just silence, he just kind of looked through me. I slunked away, went downstairs to the bar and started having a couple of martinis. About an hour later, I hear a little wisp of air in my left ear, “I love my wah-wah, you love your wah-wah.” And he split. It was the only thing he said to me (laughter). He was still a big influence, especially when it started, it was a little later that Bitches Brewgot recorded but then his influence was undeniable when he put together that great electric band. I know it influenced Billy. It influenced all of us.

As so it begins. I begin my interviews of practitioners of the art of protest from Selma to Seoul tomorrow for the Surmountable book project. Thanks to my co-writer Adam Edwards and to our 80+ Kickstarter funders for supporting my travel to 4 continents over the next two months. My first interview will be at the iconic City Lights bookstore in North Beach, San Francisco, Lawrence Ferlinghetti’s shop on the corner of Broadway and Columbus which shocked the literary world with its publication of Alan Ginsberg’s “Howl.” I will talk to the shop’s executive director and publisher Elaine Katzenberger then on to tech writers and the Electronic Frontier Foundation. What would you ask her??

The “Surmountable” Kickstarter project is funded as of March 1 at $15,011 with over 80 backers. The trip to scenes of historic protests around the United States and around the world begins immediately. Thanks to all of our backers for supporting this adventurous and ambitious project. I will be blogging from each destination throughout March and April, starting in San Francisco. USA destinations will include Seattle/ Vancouver, Standing Rock Reservation in North Dakota, Selma and Montgomery, Alabama, Charleston, West Virginia, Washington, D.C., the Alice Paul Institute in Mount Laurel New Jersey and New York City.

My “Six Days at Ronnie Scott’s: Billy Cobham on Jazz Fusion and the Art of Creation” is voted one of the year’s top four jazz books in the just released JazzTimes Reader’s Poll. The winner of the poll is Dexter Gordon: Sophisticated Giant by Maxine Gordon. Other runners-up are Playing Changes: Jazz for the New Century by Nate Chinen and Tony Bennett: Onstage and in the Studio by Tony Bennett with Dick Golden

Here is a first look at the March and April Travel Itinerary for the  “Surmountable” book project. I leave 2 March at 2:10am and will arrive in San Francisco with the Kickstarter campaign completed. I will be blogging throughout the project, sharing interviews and observations throughout.

OK, time’s here for Kickstarter campaign fans who like to torment Creators by funding at the 11th hour. We are a few thousand away from hitting our goal and the campaign ends in a day. As you know, if you don’t hit your goal, no moneys are drawn and the campaign fails. YIKES!

Surmountable was nominated last week by Kickstarter as one of their “Projects We Love.”

I hit the Bangkok airport tonight to start my travel around the USA and the world to scenes of historical political protests to gather stories for a playbook on citizen engagement. We have great Rewards for funders from signed books to events to a week of creative writing on a Thai island. My backpack is groaning from the extra gear and I’m all in. How about you???? America and the world need you. Big hugs from The Road. Hit this link or click on any of the images to find out more about the campaign.

“Surmountable” is Kickstarter’s top Print Journalism and featured Publishing project.

London jazz reviewer Frank Griffith reviewed the June London Cobham show and now publishes his review of the book. Check out the full London Jazz News review here, and enjoy the excerpts below.

Brian Gruber: Six Days At Ronnie Scott’s – Billy Cobham On Jazz Fusion And The Act Of Creation
(Book Review by Frank Griffith)

“Brian Gruber‘s new book has the hallmarks of one of the greatest tomes about perhaps the most influential drummers and bandleaders of this or any other era. Gruber has captured Billy Cobham‘s insights, humour and straightforwardness to an extent that no one else has previously achieved. One major reason for this is Gruber’s approach of interweaving the texts of one-to-one interviews with Cobham with his observations of the Billy Cobham/Guy Barker Big Band during their 2017 six-day residency at Ronnie Scott’s. This allows the reader to move between the two kinds of narrative in a balanced way, avoiding the need to absorb too much of either in one go. Not unlike a radio host playing frequent tracks interspersed with interviewing a noted guest, Gruber clearly gets the balance right, keeping the reader’s attention as he makes each new angle on how Billy ticks emerge into view.

“Six Days provides a terrific insight into the music and life of a world-class drummer resulting in a unique and challenging document for fans of Cobham, jazz, fusion and the culture of the 60s and 70s. A must and thoroughly enjoyable read.”