Greetings from Koh Phangan, Thailand.

My third book, “Six Days at Ronnie Scott’s: Billy Cobham on Jazz Fusion and the Act of Creation” is getting uniformly rave reviews (see below). It was a labor of love to tell the story of one of the planet’s legendary artists in a unique style, overlaying six days of backstage interviews and observations with six decades of stories of Bill’s musical life. Music fans are loving the book. Bill just told me they are selling big time during his current weeklong Blue Note New York gig with Ron Carter and Donald Harrison.

Here are three easy ways to support the project if you are so inclined. Each would take under five minutes.

1. Post a review. Hopefully, you have read the book cover to cover but even if you have only checked it out briefly (you can read sections for free on Amazon), reviews are tremendously important. I currently have seven reviews on the U.S. site, all of them five out of five stars; with more five-star reviews on other Amazon sites (UK, etc.). I would love yours as well. Read these — they will give you a good sense of the reading experience.

https://www.amazon.com/Six-Days-Ronnie-Scotts-Creation/dp/1717493009/ref=sr_1_1?s=books&ie=UTF8&qid=1536902143&sr=1-1&keywords=six+days+at+ronnie – customerReviews

2. Buy the book.$19.95 paperback, $9.95 Kindle e-book. The best way to support DIY art is to consume the art.

https://www.amazon.com/Six-Days-Ronnie-Scotts-Creation/dp/1717493009/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=1536902143&sr=1-1

3. Post on your social media feed. Something like, “Hey my friend Brian Gruber is getting rave reviews for his new book on Billy Cobham, jazz fusion and the act of creation. If you love jazz, fusion, drums, artist histories, or the Miles Davis/ Mahavishnu Orchestra era of musical experimentation, you will love this book. Check it out. Interviews with some of the greats of the genre.” https://www.amazon.com/Six-Days-Ronnie-Scotts-Creation/dp/1717493009/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=1536902143&sr=1-1

That’s it. Thanks for your attention. A new book is in the works for release next year. Come visit Phangan soon.

Book blurb and reviews

Few musicians have transformed a genre like Panama-born, New York-raised Billy Cobham. “Six Days at Ronnie Scott’s: Billy Cobham on Jazz Fusion and the Act of Creation” is a one-of-a-kind oral history of a legend’s life work. From his early days with Horace Silver and Dreams to the epochal Bitches Brew sessions with Miles Davis to the breakthrough Mahavishnu Orchestra and beyond, here is a first-ever deep dive into six decades of musical innovation. The book’s setting is six days at iconic London jazz club Ronnie Scott’s, as Britain’s hottest arranger Guy Barker orchestrates and leads a big band performing Cobham’s greatest works. Jazz greats such as Ron Carter, Randy Brecker, and Jan Hammer, family members, club owners, critics and superfans provide colorful insights and remembrances. Readers are given an unprecedented behind-the-scenes look into rehearsals, performances, adjustments and preparations between shows, and the evolution of a sold-out six-day run.

“Brian Gruber’s fantastic new book… gives us a rare, behind the scenes look at the making of a six-night performance… Gruber virtually puts the reader in the cafe, the nightclub, or in the car alongside him and Cobham. There are so many fantastic stories and so much musical history… Brian Gruber’s “Six Days at Ronnie Scott’s: Billy Cobham on Jazz Fusion and the Act of Creation” will certainly stand the test of time alongside some of the greatest tomes ever penned about jazz musicians.” – Eric “Doc” Smith, BeyondChron.

“The book is a massive undertaking… Despite being raised a generation and culture apart from Bed-Sty raised Panamanian born William Emanuel Cobham, Jr., Gruber manages to pull off a remarkable feat of music journalism… The interviews with Cobham cover a galaxy of subjects; from the cruel realities of the New York public school system, to the rhythmic complexity of a woman sashaying when walking or the sonic intricacies of live performance…There is so much information in this book that any serious student of Jazz, Fusion or music history will reap a bountiful harvest…A nice touch is the Spotify Soundtrack for each chapter of the book that contains some very unexpected musical gems. Hats off to Brian Gruber who accomplished what few could have written with such elaborate authority.” – Tee Watts, Cadence Jazz Magazine

“An interesting concept… his questions are knowledgeable and penetrating… rather than dallying in the kind of film-flam that obfuscates the detail, memories and opinions that make a biography breathe… Fast paced with anecdotes pouring from every page, it wraps with Cobham describing his dream line-up to play with. Want to know who? Then go grab a copy.” – Jon Newey, editor-in-chief of Jazzwise, the UK’s biggest selling monthly jazz magazine and the leading English language jazz magazine in Europe.

“The mark of a good read is something that conjures up pictures and just in that description, you’re already putting yourself backstage and seeing these conversations happen… an absolutely fascinating read. Any fan is obviously going to enjoy this.” – Nigel Williams, Jazz FM, the UK’s “home of jazz, soul and blues.”

“Remarkably, Brian Gruber’s book is the first written on this legendary musician and although not a biography, it’s certainly biographical, overlaying six days at Ronnie Scott’s with six decades of Billy’s remarkable life and career… It’s a fascinating read… Cobham opens up and discusses several topics that I have not previously seen him discuss. It’s a terrific insight into the musical and personal life of this game-changing, world class drummer and is an essential read for fans of Cobham, Jazz, fusion and the culture of the 60s and 70s.” – Brent Keefe, Drumhead magazine.

“Well-written and thought-provoking, Gruber’s book builds into a challenging document of a half-century of cutting-edge musical exploration.” Five stars (highest rating). – Geoff Nicholls, Rhythm magazine.

A snapshot of some of the recent reviews that have come in for “Six Days at Ronnie Scott’s.” Thanks to all the reviewers for their generous and detailed look at the work. 

What They Are Saying About “Six Days at Ronnie Scott’s”

“The book is a massive undertaking… Despite being raised a generation and culture apart from Bed-Sty raised Panamanian born William Emanuel Cobham, Jr., Gruber manages to pull off a remarkable feat of music journalism… The interviews with Cobham cover a galaxy of subjects; from the cruel realities of the New York public school system, to the rhythmic complexity of a woman sashaying when walking or the sonic intricacies of live performance…There is so much information in this book that any serious student of Jazz, Fusion or music history will reap a bountiful harvest…A nice touch is the Spotify Soundtrack for each chapter of the book that contains some very unexpected musical gems. Hats off to Brian Gruber who accomplished what few could have written with such elaborate authority.” – TWatts, Cadence Jazz Magazin

From Jon Newey, editor-in-chief of Jazzwise,the UK’s biggest selling monthly jazz magazine and the leading English language jazz magazine in Europe. “An interesting concept… his questions are knowledgeable and penetrating… rather than dallying in the kind of film-flam that obfuscates the detail, memories and opinions that make a biography breathe… Fast paced with anecdotes pouring from every page, it wraps with Cobham describing his dream line-up to play with. Want to know who? Then go grab a copy.”

From London’s Jazz FM,the UK’s “home of jazz, soul and blues” on Nigel Williams’ Saturday show, August 25th, Jazz FM’s highest rated weekly program. “The mark of a good read is something that conjures up pictures and just in that description, you’re already putting yourself backstage and seeing these conversations happen… an absolutely fascinating read. Any fan is obviously going to enjoy this.”

From Brent Keefe, Drumheadmagazine.“Remarkably, Brian Gruber’s book is the first written on this legendary musician and although not a biography, it’s certainly biographical, overlaying six days at Ronnie Scott’s with six decades of Billy’s remarkable life and career… It’s a fascinating read… Cobham opens up and discusses several topics that I have not previously seen him discuss. It’s a terrific insight into the musical and personal life of this game-changing, world class drummer and is an essential read for fans of Cobham, Jazz, fusion and the culture of the 60s and 70s.”

From Geoff Nicholls, Rhythm magazine.Five stars (highest rating). “Well-written and thought-provoking, Gruber’s book builds into a challenging document of a half-century of cutting-edge musical exploration.”

From Eric “Doc” Smith, BeyondChron.“Brian Gruber’s fantastic new book… gives us a rare, behind the scenes look at the making of a six night performance… Gruber virtually puts the reader in the cafe, the nightclub, or in the car alongside him and Cobham. There are so many fantastic stories and so much musical history… Brian Gruber’s Six Days at Ronnie Scott’s: Billy Cobham on Jazz Fusion and the Act of Creation, will certainly stand the test of time alongside some of the greatest tomes ever penned about jazz musicians.”

We continue to bat 1,000 with reviews. This one from Jon Newey, editor-in-chief of Jazzwise, the UK’s biggest selling monthly jazz magazine and the leading English language jazz magazine in Europe. “An interesting concept… his questions are knowledgeable and penetrating… rather than dallying in the kind of film-flam that obfuscates the detail, memories and opinions that make a biography breathe… Fast paced with anecdotes pouring from every page, it wraps with Cobham describing his dream line-up to play with. Want to know who? Then go grab a copy.”

Good idea, Jon! 

To order the book, or view other reviews, visit our book page on Amazon.

Click on the article below to read the rest (buy it online at jazzwisemagazine.com or on newsstands).

Here is my interview on London’s Jazz FM, the UK’s “home of jazz, soul and blues” on Nigel Williams’ Saturday show, August 25th, considered, I’m told, Jazz FM’s highest rated weekly program. Go to their website till this Saturday to hear it (I’ll get a copy to post after that) or read the interview below.
https://www.jazzfm.com/player/od/items/1016/

NIGEL WILLIAMS: So lovely, Aretha Franklin, “It Only Happens.” Now for drumming fans, get ready for a conversation for a new book about Billy Cobham coming up in just a minute. First let’s take a classic moment from him in, “Red Baron.”

“Red Baron” by Billy Cobham at 23:40. Interview commences at 29:00.

NIGEL WILLIAMS: My first guest is the author of “Six Days at Ronnie Scott’s: Billy Cobham on Jazz Fusion and the Act of Creation.” His name is Brian Gruber, who is actually in Thailand at the moment. Brian, whereabouts are you?

GRUBER: I’m on a beach on the north part of Koh Phangan, Thailand and the sun is going to go down shortly and it’s a beautiful day and you should be here.

WILLIAMS: Yeah, I think we should be, yes, we are all very, very jealous now. Let’s come back to London Soho then, and focus on Ronnie Scott’s. Your book is called “Six Days at Ronnie Scott’s.” The obvious question is, what’s it all about?

BRIAN GRUBER: I’ve known Bill Cobham for a while. The longer I knew him and thought I knew all of his stories, every time we would be driving somewhere or backstage at a show, he would have more and more new stories. What do you mean you were in a play with Muhammed Ali? And, what do you mean you jammed in a dance band with Jimi Hendrix at the New York Armory? And finally, I said, you’ve got to get these stories down. You owe it to yourself and to your fans. When he told me he was doing this six day gig with the UK’s fabulous Guy Barker arranging his best songs, with a really top-shelf 17-piece big band, I thought, what an interesting opportunity to go backstage, go to all the rehearsals, the load-in, the sound check, see the chatter between the musicians, how they set up their gear, and overlay six days backstage at this iconic club with six decades of a legend’s musical life. I think that technique worked and what came out of it is a book that a lot of people are enjoying.

WILLIAMS: I think that the mark of a good read is something that conjures up pictures and just in that description, you’re already putting yourself backstage and seeing these conversations happen.

GRUBER: Yeah, and to me, I don’t know whether it’s a fetish, I love being in a club hours before, during a sound check, seeing how these masters test how the acoustics are in different parts of the room, listening to them decide what’s on the playlist, to me, that’s, to use an American term, the “inside baseball.” What I tried to do, in addition to telling Bill’s best stories, was to give a sense of what that experience is like, especially at an extraordinary place like Ronnie Scott’s.

WILLIAMS: How does he, Billy Cobham himself, see this? Because quite often, with these really great artists, you speak to them and effectively, they are not thinking about it, they are just being themselves. Or, others, it really does go to their head. Which is he?

GRUBER: I was sitting with Michael Watt, one of the owners of Ronnie’s, and Bill was onstage, joking and being self-deprecating and Michael turned to me and said, “He shouldn’t do that. He’s a legend.” Bill has fierce pride about his music but is also very humble about it.

The deal we had is, it’s my book, I’ll have creative control but everything that I write you will be able to see before it’s published, and if there is anything too intimate or personal or wrong, then we’ll change that. And there were a lot of things about his family, about race, about his relationship with John McLaughlin, that were very personal. Finally, I persuaded him, that in order to tell your story, it’s your call, but we should keep these things in the book, and we did. So, I think for Bill, 74 years old now, he has never had a full-length book, a work like this, written about him, and I think there was a level of trust based on our relationship over the years. I had full access, I interviewed his wife and his brother, so many people, and ultimately I think he trusted me and I had a passion to tell his story.

WILLIAMS: It sounds like an absolutely fascinating read. Any fan is obviously going to enjoy this. Brian, we will be looking forward to seeing you when you come back to the UK, and do another one of these. Any other artists in mind that you would like to do a similar treatment to?

GRUBER: No, but I’ll tell you, it was so much fun for me. I had dinner with Bill and Kenny Barron and Ron Carter in Phoenix a few weeks ago. It’s a great privilege to hear and tell the story of a musical legend, or a political or business legend for that matter. Loved doing it and would love doing it again.

WILLIAMS: Brian, thanks very much indeed. Let’s play some Billy Cobham now, here with the Mahavishnu Orchestra, back from 1971, the legendary “You Know, You Know.”

Post-song:

WILLIAMS: Now how about that for some drumming then. With the Mahavishnu Orchestra, Billy Cobham there with “You Know, You Know,” much sampled that track, the album is, The Inner Mounting Flame from 1971. If you are interested in the book, it’s called, “Six Days at Ronnie Scott’s: Billy Cobham on Jazz Fusion and the Act of Creation.”