book – Gruber Media

Books•Koh Phangan

Koh Phangan Book Interviews Continue

December 17, 2020 by briangruber No Comments

Before embarking on the Surmountable book project, I interviewed 25 community leaders, business owners, long-time residents, characters, and storytellers, both Thai and expat. With Surmountable about to launch, I have resumed the Koh Phangan interviews.

The short-term intention is to get an oral history ebook up by mid-year 2021. And, then, a longer-form work for print and ebook by year-end. These things take the time they need to take, so those are tentative, though achievable timeframes.

My first visit to the island was 10 years ago. I moved here full-time five years back. I hope to relate the magic dimensions of Phangan life. There are many stories to tell.

Reading time: 1 min

Books•Surmountable

Surmountable Pre-Publication Book Out to Reviewers

December 16, 2020 by briangruber No Comments

Due to publishing and publicity timeline adjustments, the Surmountable book launch date has been adjusted to Martin Luther King, Jr.’s birthday on January 18 and President’s Day on February 15. Pre-order on Amazon and other online book retailers will be available in early January.

Stay tuned for more details on the launch and early reviews.

Reading time: 1 min

Billy Cobham•Books•Uncategorized

Geoff Wills Reviews Six Days: Highly Recommended to Jazz Rock Fans

October 31, 2020 by briangruber No Comments

We keep batting 1,000 on Six Days book reviews. This one from Geoff Wills of the esteemed Penniless Press.

SIX DAYS AT RONNIE SCOTT’S: BILLY COBHAM ON JAZZ FUSION AND THE ACT OF CREATION

by Brian Gruber

Reviewed by Geoff Wills

Billy Cobham is one of the all-time great drummers. Although he emerged in the mid-1960s playing in a straight-ahead jazz context with artists like Billy Taylor and Horace Silver, he began to make his mark in the field of jazz-rock from the late 1960s onwards with the band Dreams, on recordings by Miles Davis, and, specifically between 1971 and 1973, with British guitarist John McLaughlin’s seminal jazz-rock group Mahavishnu Orchestra. Fellow musicians were flabbergasted by his phenomenal technique and a unique style that utilized military precision, ambidexterity, jazz subtlety, rock and roll excitement, rhythm and blues feel and an ability to play odd time signatures, all on a very large two-bass drum percussion setup. Although Cobham has been interviewed for magazines many times over the years, Six Days at Ronnie Scott’s is the first book specifically devoted to his life and work.

The book’s author, Brian Gruber, is a prominent media marketing innovator and longstanding jazz and popular music aficionado, now based in Thailand. He first met Billy Cobham in 2010, and, as he explains, his book is not a biography but ‘an oral history exploring six decades of music.’

The background to the book is a six-day residency in June 2017 at Ronnie Scott’s jazz club in London, which Billy Cobham undertook with a 17-piece big band led by trumpeter and arranger Guy Barker, playing orchestrations of Cobham compositions. Gruber was at the club during the entire residency, interviewing not only Cobham but also band musicians, club officials, friends and family members. The book thus provides a kaleidoscopic view, a tapestry of interview material, covering Cobham’s life and work, and also the progress of an extended engagement by a world-class musician and orchestra in an internationally-renowned club as described by club owners, road managers, music critics and fans.

Cobham who was born in Panama in 1944, came to New York with his family three years later, growing up in Brooklyn in a community that included Barbadians, Trinidadians and Panamanians. His father, a statistician, was also a talented pianist and was an early influence. The house was full of music from AM radio, relaying the sounds of Count Basie, Duke Ellington, Dave Brubeck, Harry James, Frank Sinatra and Ella Fitzgerald. As a result of these influences Cobham began to play percussion while still a toddler, accompanied his father aged eight, and at sixteen got his first complete drum set when he went to the High School of Music and Art. After a spell in the army, playing in a military band, his professional career began.

Gruber is able to draw from Cobham insights into the darker side of the music business. For instance, Cobham describes how, in the mid-1970s, in a band he co-led with keyboard player George Duke, ‘I knew that I was working with a bunch of thugs.’ He is referring to Duke’s manager, ‘dominant, management by intimidation. [Frank] Zappa band manager Herb Cohen … you had a goon as management, some kind of gangster.’

In another anecdote, Cobham relates how, after being with Mahavishnu Orchestra for a few years, he noticed that another drummer, Narada Michael Walden, started to sit behind him at concerts. Soon after, he was told by management that he was no longer in the band. He believes that this was because he was not prepared to follow John McLaughlin’s religious direction. Thus, Cobham’s views of McLaughlin are not totally positive. ‘The only complimentary thing that John McLaughlin gave me was a picture of John Coltrane for Christmas … McLaughlin had no sense of time, always getting faster. Reach God as quickly as possible.’ The final straw with McLaughlin was in 1984 when, after having recorded an album with him, Cobham learned from an outside source that another drummer was in the band for the tour to promote the album.

Overall, though, Cobham’s career has been hugely successful. After leading his own groups he moved to Switzerland in the early 1980s and freelanced in Europe. As described by Gruber, the residency at Ronnie Scott’s epitomizes this success, made clear in interviews with band members like Steve Hamilton, Carl Orr, Mike Mondesir and Guy Barker. Phone interviews with eminent musicians and collaborators Randy Brecker, Jan Hammer and Ron Carter add further clarification.

Gruber adds tangential interest to his book by providing a history of Ronnie Scott’s club which includes an illuminating interview with club co-owner Michael Watt. Other fascinating sidebars pop up throughout the book.

Billy Cobham emerges from these pages as an exemplary creative personality, and as a dedicated, tireless and likeable professional. The book is highly recommended to anyone who has a serious interest in jazz-rock, the life of the musician, and popular music culture of the last fifty years.

To order, go here.

Reading time: 4 min

Writers of Koh Phangan•Writing Coaching

Mary Oliver on the Urgency of Acting on a Creative Impulse

September 30, 2019 by briangruber No Comments

In my coaching experience, while talking to aspiring writers who have a book in them, anxious to find a path forward, I often encounter a mysterious phenomenon. For a period, the idea percolated but there was not the sense of urgent drive that, suddenly, appeared, motiving the writer to act. That drive becomes too fierce to ignore and, though there is some sense of being overwhelmed, mystified at the process of starting the task, there is invariably joy and passion in the pursuit.

And then, there is a choice. To act, or to to wait for some time in the future, when execution of the task might be more convenient. In my experience, if one does not act when that passion is still fresh, it will wane. It might return, but likely will not. Why? I believe we signal something important to our psyche when we act. We tell it this is important, and so one’s inner resources, call them what you will, are activated, allowing a more forceful setting aside of distractions and doubts. We have the enthusiasm and intention to stay on the path. When we choose not to act, we send another message to ourselves, this is not important, and thus other priorities, various mundane activities get in the way. That’s why I like this quote so much.

Here’s another:

When the impetus to write a book or produce a completed creative work arises, act on it or that passion vanishes. It’s sapped of its power, and power is needed to produce something of enduring value. If you have never heard Oliver read, here she is with a favorite of mine, Coleman Barks, famous for his popular and delightful interpretations of the Persian poet Rumi.

Reading time: 1 min

Billy Cobham•Books•Uncategorized

Recorded Livestream of a Show from Current Billy Cobham Tour

September 26, 2019 by briangruber No Comments

Thanks to Mike Paschall for sharing this. A recording of the livestream from Billy Cobham and the band in Ardmore Music Hall. Wonderful stuff.

The tour features legendary trumpeter Randy Brecker. Here is an excerpt from my interview with Randy for “Six Days at Ronnie Scott’s: Billy Cobham on Jazz Fusion and the Act of Creation.”

GRUBER: It fascinates me that Bill at 73 is not only touring a lot but almost every year producing new music. What is it for men like you and Bill that motivates you to continue to create and innovate when you can simply play other people’s music or rely on things you might have done years ago?

BRECKER: It’s a good question and I don’t know if I can put myself on a level of Billy’s output, which is really just incredible, but I think it has to do with, after you do something, it gets old pretty quickly. So, we are always trying, we just want to play something new, we can’t rest on our laurels too long. Plus, this is what we do. We don’t have many outside interests. You find that with a lot of great artists. I’m very close for instance with Paul Simon, and a tour manager that works with Paul and Bob Dylan. I asked him the same question, how come most guys are still killing themselves on tour? Not everybody has to do it. He said, “Look man, they don’t know what else to do with themselves.” Other than play, write music and tour, I don’t have a lot of outside interests. Of course my famIly, I want to be home sometime, but that’s what motivates us I think. We love to play. And for my money, I think Bill is, I swear to God, playing better than ever. I heard him in Brazil, maybe two, three years ago with Jeff Berlin and Scott Henderson, it was a trio and man, he just played better than ever. Everything is just settled now. It’s incredible.

GRUBER: When you watch him in YouTube videos from the ’70’s and ’80’s, to now, he really does have quite a physical presence.

BRECKER: And let me say one other thing. In the ensuing years, I wouldn’t play with him regularly, more like a special guest thing. But every time I did, I noticed he always brought something new to the table. Not only new music, the way he played, it always fascinated me. Some kind of new drum that he invented or something I never heard before. That alone, throughout the years, is quite an accomplishment.

GRUBER: Do you have some favorite memories on or off-stage?

BRECKER: There are a lot of them. How do I narrow it down? I was just always completely knocked out playing with him. (Laughs.) I probably shouldn’t say this. I remember he was so confident of his playing – as he should have been because I think he was the greatest drummer and still is – but when drum machines first came out, he tried to overdub the drum machine over his track. That didn’t work too well. I remember the look on his face.

GRUBER: Where do you think he fits in the history of percussion? How would you sum up his cumulative contribution to the music world?

BRECKER: He always would mention Tony Williams and Jack. After that period it was just Billy as far as I am concerned. The guy who originated the whole thing was Bill. The fact that he has been playing so long and is still this great, places him at the forefront of jazz drumming, of composition. He has had the same kind of influence on drummers that Jaco had on bass players.

Reading time: 3 min

Billy Cobham•Travel•Writing Coaching

October Travel: Book Signings, Writing Coaching, Friends and Family

September 21, 2019 by briangruber No Comments

I will be on the road for most of October, leaving on the 2nd, returning on the 24th, and look forward to seeing friends and family throughout the visit. Here’s a look at the itinerary.

I will join Billy Cobham, Randy Brecker, and the Crosswinds tour band for their performances, notably,

Jazz Alley, Seattle, October 3-6

Kuumbwa, Santa Cruz, October 10

Blue Note, Napa, October 11-12

I will be signing copies of “Six Days at Ronnie Scott’s: Billy Cobham on Jazz Fusion and the Act of Creation” after each show. I especially look forward to meeting Randy Brecker, one of the world’s great jazz trumpeters, and a featured interview in the book. It will be a particular pleasure to have my daughter Andrea join me at one of the Napa shows, her first time meeting Bill and Faina. Then on to Auburn, for a visit with the now one-year-old Silas.

Also scheduled are coaching sessions with U.S. clients and continued work on the Surmountable protest book project. I will be proud to be attending the launch of my coaching client Wendy May’s book, “Regenerative Purpose” at San Francisco’s Dolores Park, noon on the 12th. Wendy credits the workshop I facilitated at Koh Phangan’s Mermaid Villa with inspiring her to write the book, and our coaching sessions for completing it. It is a terrific work, on sale soon. I am privileged to have written the book’s foreword.

Reading time: 1 min

Books•Surmountable

The Travel Phase of the Surmountable Book Project Is Now Complete

May 10, 2019 by briangruber No Comments

The ‘discovery’ phase of Surmountable, a two month jaunt through scenes of historic protests plus interviews with activists, academics, journalists, people on the street, thinkers, trouble makers, and witnesses is done. I arrived in Bangkok 2am from South Korea, after the final international leg of the trip that took me to Berlin, Kiev, Paris, Tunis, and Seoul.

The final itinerary traveled, four continents, 20 destinations, two months.

Now for the writing.

We have a wealth of raw material. Public thinkers like AEI’s Norm Ornstein, C-SPAN’s Brian Lamb, Adbusters/ Occupy Wall Street’s Kalle Lasn, Columbia University’s Todd Gitlin, historian Stephen Schlesinger. Journalists and authors. Front line activists who put their bodies on the line like Standing Rock’s LaDonna Brave Bull Allard who gave her land and was a leading figure in the Dakota Access Pipeline protests, Kiev ‘squad’ veterans like Anna Kovalenko who led an all-woman group to physically resist attacks by secret police and militia, Tasnim of Tunis who shed the veil to take to the streets and launch the end of long-time dictator Ben Ali and the beginning of the Arab Spring.

It’s a privilege to gather these stories and be in the process of remarkable women and men, sometimes via choreographed interviews, sometimes via odd moments of serendipity as when I wandered into a Tunisian protest from the front door of my hotel into a weekly communist rally honoring the death of a martyred civil society activist.

Adam Edwards and I go into projects like this with certain foundational ideas and the outline of an editorial structure, but with open minds and a fierce desire to explore what is true, what is just, and how citizens might live the American founders’ vision of an active engaged public.

We intend to publish this year. I will be publishing photos and interview excerpts in the coming weeks. Here are a few memorable images from the trip.

LaDonna Brave Bull Allard after picking me up at the Bismarck, North Dakota airport and driving me 90 minutes to the Standing Rock reservation. I had asked how to get to her and where to stay, to which she responded, "Brian, you just don't get it, do you, we're in the middle of nowhere." So she came and got me and put me up next door to her at the Water Protectors House. After two hours of conversation, and a home cooked meal by activists living in the house, she came by at 11pm with her new great granddaughter. "Direct descendent of Sitting Bull." We toured the tribal council, the pipeline and protest sites, the local college and Sitting Bull museum, the tribal casino, and her ancestors' burial grounds. — LaDonna Brave Bull Allard after picking me up at the Bismarck, North Dakota airport and driving me 90 minutes to the Standing Rock reservation. I had asked how to get to her and where to stay, to which she responded, “Brian, you just don’t get it, do you, we’re in the middle of nowhere.” So she came and got me and put me up next door to her at the Water Protectors House. After two hours of conversation, and a home cooked meal by activists living in the house, she came by at 11pm with her new great granddaughter. “Direct descendent of Sitting Bull.” We toured the tribal council, the pipeline and protest sites, the local college and Sitting Bull museum, the tribal casino, and her ancestors’ burial grounds.

I told Pastor Leon Ross of the Weeping Willow Baptist Church in Montgomery, Alabama that I had beers with four white fellows at the base of the Edmund Pettus Bridge in Selma the night before, and they said things were fine with race relations relations back in the day. He scoffed, "Sure for them they were. We were sick and tired and of being sick and tired." He worked in the Montgomery Improvement Association along with Dr Martin Luther King, Jr., pivotal in the bus boycott started by Rosa Parks. — I told Pastor Leon Ross of the Weeping Willow Baptist Church in Montgomery, Alabama that I had beers with four white fellows at the base of the Edmund Pettus Bridge in Selma the night before, and they said things were fine with race relations relations back in the day. He scoffed, “Sure for them they were. We were sick and tired and of being sick and tired.” He worked in the Montgomery Improvement Association along with Dr Martin Luther King, Jr., pivotal in the bus boycott started by Rosa Parks.

The Alley of the Heavenly Hundred Heroes, in the square where Ukraine's Maidan Revolution took place. Over 100 protestors were killed as the protests grew in scope and intensity. I walked the scenes of the clashes and the moving, detailed exhibits on the streets honoring the dead and commemorating the events. — The Alley of the Heavenly Hundred Heroes, in the square where Ukraine’s Maidan Revolution took place. Over 100 protestors were killed as the protests grew in scope and intensity. I walked the scenes of the clashes and the moving, detailed exhibits on the streets honoring the dead and commemorating the events.

Tasnm and the Martyr. She walked me to the train like the mother of three she is, insisting on carrying my backpack, and warning me not to talk to strangers. We attended two protests that day, a second in front of the Central Bank as it was anti-imperialism day and students marched through the streets pushing past heavily armed police trying to stop them.

The palace at the far end of Gwanghwamun Square in central Seoul where Koreans gathered every Saturday, first in the hundreds, then thousands, then hundreds of thousands until the president was impeached, turned out of office, and imprisoned with a 26 year term.

Reading time: 3 min

Books•popular•Surmountable

“Surmountable” Kickstarter Campaign is Funded at $15,001 With 83 Backers

March 6, 2019 by briangruber No Comments

The “Surmountable” Kickstarter project is funded as of March 1 at $15,011 with over 80 backers. The trip to scenes of historic protests around the United States and around the world begins immediately. Thanks to all of our backers for supporting this adventurous and ambitious project. I will be blogging from each destination throughout March and April, starting in San Francisco. USA destinations will include Seattle/ Vancouver, Standing Rock Reservation in North Dakota, Selma and Montgomery, Alabama, Charleston, West Virginia, Washington, D.C., the Alice Paul Institute in Mount Laurel New Jersey and New York City.