This first-ever full-length nonfiction book on Koh Phangan’s characters, communities, and magnetic appeal is an oral history, with stories gathered from 25 diverse perspectives.

This first edition will be an ebook, available for $4.95 at https://amzn.to/3B75ssb. Later this year an expanded edition will be published in print and ebook formats, with stories from Phangan’s neighborhoods, temples, beaches, waterfalls, and iconic landmarks.

What attracts Phangan’s eclectic range of adventurers? What makes this island so uniquely interesting and attractive to visitors seeking a new life, transcendence, restoration or, simply, a memorable, gorgeous respite from the world? There are many beautiful islands and tropical beaches. But there seems a special dose of magic in the island’s coves and mountains. People come for three weeks, then stay 13 years.

These 25 longtime residents share their answers to those questions.

Participants in the book include:
Gill Beddows, The Sanctuary
Joe Cummings, Lonely Planet Thailand
Daliah and Ari Barkan, Orion Healing Centre
Phra Olarn, Buddhist monk, Loyfa resort owner
Nathan Parker, Why Nam beach
Hinch, Twisted Village. Chaloklum
Prapan Daewwanich, Koh Phangan Phuiyaiban (village chief)
Robin Vos, Bubba’s Roastery
Ara Willeke, Haad Khontee
Sarana Kursakul, Coral Bungalows
Nattakit Libprapakorn, Sand & Tan
Karine and Melanie, L’Alcove
John Fitton, EcoThailand
Charlie Solares, SAGE Land and House
Suriyan Boonya, nephew of monk who established Phangan’s national park
Michal Ora, founder, Green Gallery Srithanu
Robert Van Dam, Jam Bar
Jintamard Sinlapaprommard, eco activist
Tomas Krocka, Safari Boat
Michael Doyle, The Sanctuary
Marc Guede, Kupu Kupu resort, Echo Beach
Sahajo
Oliver Benjamin, The Tao of the Dude
Joe Ling, Ling Sabai Bungalows
Yuval “Fluke” Birman, Wonderland Healing Center

Before embarking on the Surmountable book project, I interviewed 25 community leaders, business owners, long-time residents, characters, and storytellers, both Thai and expat. With Surmountable about to launch, I have resumed the Koh Phangan interviews. 

The short-term intention is to get an oral history ebook up by mid-year 2021. And, then, a longer-form work for print and ebook by year-end. These things take the time they need to take, so those are tentative, though achievable timeframes. 

My first visit to the island was 10 years ago. I moved here full-time five years back. I hope to relate the magic dimensions of Phangan life. There are many stories to tell.

Due to publishing and publicity timeline adjustments, the Surmountable book launch date has been adjusted to Martin Luther King, Jr.’s birthday on January 18 and President’s Day on February 15. Pre-order on Amazon and other online book retailers will be available in early January.

Stay tuned for more details on the launch and early reviews. 

We keep batting 1,000 on Six Days book reviews. This one from Geoff Wills of the esteemed Penniless Press. 

SIX DAYS AT RONNIE SCOTT’S: BILLY COBHAM ON JAZZ FUSION AND THE ACT OF CREATION

by Brian Gruber 

In my coaching experience, while talking to aspiring writers who have a book in them, anxious to find a path forward, I often encounter a mysterious phenomenon. For a period, the idea percolated but there was not the sense of urgent drive that, suddenly, appeared, motiving the writer to act. That drive becomes too fierce to ignore and, though there is some sense of being overwhelmed, mystified at the process of starting the task, there is invariably joy and passion in the pursuit.

And then, there is a choice. To act, or to to wait for some time in the future, when execution of the task might be more convenient. In my experience, if one does not act when that passion is still fresh, it will wane. It might return, but likely will not. Why? I believe we signal something important to our psyche when we act. We tell it this is important, and so one’s inner resources, call them what you will, are activated, allowing a more forceful setting aside of distractions and doubts. We have the enthusiasm and intention to stay on the path. When we choose not to act, we send another message to ourselves, this is not important, and thus other priorities, various mundane activities get in the way. That’s why I like this quote so much.

Here’s another:

When the impetus to write a book or produce a completed creative work arises, act on it or that passion vanishes. It’s sapped of its power, and power is needed to produce something of enduring value. If you have never heard Oliver read, here she is with a favorite of mine, Coleman Barks, famous for his popular and delightful interpretations of the Persian poet Rumi.

Thanks to Mike Paschall for sharing this.  A recording of the livestream from Billy Cobham and the band in Ardmore Music Hall. Wonderful stuff.

The tour features legendary trumpeter Randy Brecker. Here is an excerpt from my interview with Randy for “Six Days at Ronnie Scott’s: Billy Cobham on Jazz Fusion and the Act of Creation.”

GRUBER: It fascinates me that Bill at 73 is not only touring a lot but almost every year producing new music. What is it for men like you and Bill that motivates you to continue to create and innovate when you can simply play other people’s music or rely on things you might have done years ago?

BRECKER: It’s a good question and I don’t know if I can put myself on a level of Billy’s output, which is really just incredible, but I think it has to do with, after you do something, it gets old pretty quickly. So, we are always trying, we just want to play something new, we can’t rest on our laurels too long. Plus, this is what we do. We don’t have many outside interests. You find that with a lot of great artists. I’m very close for instance with Paul Simon, and a tour manager that works with Paul and Bob Dylan. I asked him the same question, how come most guys are still killing themselves on tour? Not everybody has to do it. He said, “Look man, they don’t know what else to do with themselves.” Other than play, write music and tour, I don’t have a lot of outside interests. Of course my famIly, I want to be home sometime, but that’s what motivates us I think. We love to play. And for my money, I think Bill is, I swear to God, playing better than ever. I heard him in Brazil, maybe two, three years ago with Jeff Berlin and Scott Henderson, it was a trio and man, he just played better than ever. Everything is just settled now. It’s incredible.

GRUBER: When you watch him in YouTube videos from the ’70’s and ’80’s, to now, he really does have quite a physical presence.

BRECKER: And let me say one other thing. In the ensuing years, I wouldn’t play with him regularly, more like a special guest thing. But every time I did, I noticed he always brought something new to the table. Not only new music, the way he played, it always fascinated me. Some kind of new drum that he invented or something I never heard before. That alone, throughout the years, is quite an accomplishment.

GRUBER: Do you have some favorite memories on or off-stage?

BRECKER: There are a lot of them. How do I narrow it down? I was just always completely knocked out playing with him. (Laughs.) I probably shouldn’t say this. I remember he was so confident of his playing – as he should have been because I think he was the greatest drummer and still is – but when drum machines first came out, he tried to overdub the drum machine over his track. That didn’t work too well. I remember the look on his face.

GRUBER: Where do you think he fits in the history of percussion? How would you sum up his cumulative contribution to the music world?

BRECKER: He always would mention Tony Williams and Jack. After that period it was just Billy as far as I am concerned. The guy who originated the whole thing was Bill. The fact that he has been playing so long and is still this great, places him at the forefront of jazz drumming, of composition. He has had the same kind of influence on drummers that Jaco had on bass players.

I will be on the road for most of October, leaving on the 2nd, returning on the 24th, and look forward to seeing friends and family throughout the visit.  Here’s a look at the itinerary.

I will join Billy Cobham, Randy Brecker, and the Crosswinds tour band for their performances, notably,

Jazz Alley, Seattle, October 3-6

Kuumbwa, Santa Cruz, October 10

Blue Note, Napa, October 11-12

I will be signing copies of “Six Days at Ronnie Scott’s: Billy Cobham on Jazz Fusion and the Act of Creation” after each show. I especially look forward to meeting Randy Brecker, one of the world’s great jazz trumpeters, and a featured interview in the book.  It will be a particular pleasure to have my daughter Andrea join me at one of the Napa shows, her first time meeting Bill and Faina. Then on to Auburn, for a visit with the now one-year-old Silas.

Also scheduled are coaching sessions with U.S. clients and continued work on the Surmountable protest book project. I will be proud to be attending the launch of my coaching client Wendy May’s book, “Regenerative Purpose” at San Francisco’s Dolores Park, noon on the 12th. Wendy credits the workshop I facilitated at Koh Phangan’s Mermaid Villa with inspiring her to write the book, and our coaching sessions for completing it. It is a terrific work, on sale soon. I am privileged to have written the book’s foreword.